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"The message we are getting loud and clear from everyone who is doing stereo 3D, is that it is vital to get as much right as possible on the shoot," says Nunney. "Fixing things in post is really not a practical proposition - the costs are too large. You must get the basics - black level, gain for example - right on location, and they have to be perfectly matched between the two cameras in a pair. That means you need a tool like the Hamlet VidScope 3D, that lets you measure these parameters independently but also compare them directly, so you can quickly but very accurately ensure the perfect match."